Nice use of space to make them both share the same window.Īll audio was recorded separately on a Zoom H6 recorder and as always, we made sure to audibly slate each scene and take along with a proper slate or hand clap. I really like the dual Metadata / Inspector Window. After watching Alexis go over this panel in his tutorial, I jumped right in and started adding the Scene and Take numbers along with Comments on the good takes.
The new layouts and options in the Media Panel are very intuitive as is the metadata editor. Can either select and drag individual items over or drag in folders from the Media panel.
Ingesting and organizing the bins was very straightforward if you’ve used any non-linear editing system before. The original materials were shot on a Panasonic GH4 at 4k UHD resolution in the H264 format. Media is stored on our 48TB Studio Network Solutions EVO media share connected via 10GigE converted to thunderbolt. The editing system is a new 27″ iMac 5k Retina 4.0 Ghz with 32GB RAM and all the top of the line graphics card. Use the code resolve40 when you check out. It’s the best $49 dollars you’ll spend if you want to get up to speed on the new features in a hurry. He’s such a great trainer and I kept that open on the second screen as a reference while working. The first thing I did was to purchase Alexis Van Hurkmann’s tutorial “DaVinci Resolve 12.5 New Features” from Ripple Training. Today I spent my first full day editing a real project on the 12.5 Beta.
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